Interviews

Jacquire King (bonus): KIngs of Leon, Norah Jones, Tom Waits

BY Larry Crane PHOTOGRAPHS BY Elizabeth Streight

We talked to Jacquire King briefly in Tape Op #45 when he was working with producer Eric Valentine, but in the seven years since that time Jacquire has been involved with an impressive roster of albums as a producer, engineer and mixer. With a discography including Tom Waits, Modest Mouse, Kings of Leon, Mutemath, Josh Ritter, Mike Doughty, Norah Jones, The Features, Cold War Kids, Tim Finn and the Punch Brothers, he's pulling the truth out of some of the best music happening today. I interviewed Jacquire in Nashville in front of a room of like-minded recording folks at the third annual Recording Summit at Welcome to 1979 Studio.

Audience Member: Not to take a tangent but would you like to discuss your experience with recording upright bass?

Typically a [Neumann] U 48 is the best on bass. My bass choices for this particular project [Punch Brothers' Who's Feeling Young Now?] was an RCA 44. I also used this little green military mic — I don't even know what it is — because it was a very mid rangy, ugly aggressive microphone. I typically like to mic somewhere around the bridge. You just really have to listen — all of those instruments are really different. Sometimes near the F hole or lower can be really flattering. It all depends on how they are playing.

Or if they are playing pizzicato, arco, long notes bowed or busy fingered.

On the Tom Waits stuff there was a [Neumann] M 49 down low and a [Neumann] M 582. The M 49 down on the bottom of the body near the F hole to kind of get the warm tone of the bass then the 582 to kind of get the articulation

AM: Is that a small diaphragm?

Yeah it's a Neumann Tube condenser. I guess you would call it a small diaphragm.

AM: Would you put one above the ribs?

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