Interviews

James Demeter: Behind the Gear with Demeter Amplification

One-time major label artist turned gear designer James Demeter talks about tubes, spring reverb and building gear for REO Speedwagon. Demeter Amplification was one of the first companies to re-embrace tubes for mic preamp and DI use in the early eighties, and has also been building quality guitar and bass amps, stomp boxes and excellent spring reverbs.

When did you start and why, and were you schooled or unschooled?

Unfortunately, I'm remarkably unschooled. I actually studied psychology in college, but I should point out that my father was a HAM and I was around this all the time. I had great fun in my childhood blowing stuff up, just because I was playing around with electronics. I had an aptitude toward it but I didn't think it was going to be my profession. I know it's weird how these things work, because I wanted to be a rock star.

Yeah, don't we all...

Well, I'm a has-been. I actually quasi-succeeded. I was in a band called The Heaters and we were on Capitol Records — they put out two albums. I was there for the first one. Actually, I did the second one, but that one wasn't released. The third one, which would be the second one the public saw — I had the brains to be out of the music business by then. We only racked up half a million dollars in debt and were going strong.

No way. Really?

Oh yeah. Well, you know back then the record companies had lots of money to burn on new bands, and they did.

And about what year is this?

I joined the band in 1974 and was out of there by 1980.

What did you play?

I was a guitar player and of course I was tampering with my amps. I built the PA system and before that I was service manager at Shelley's Stereos. I always wound up in electronics. It was my destiny.

Obviously.

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