In recent months, I did a bunch of mixing, including: An album for a hypnotic electronic duo, songs for a psychedelic band from Mexico, tracks for a local queer country singer, and a full record for a catchy punk band from Toronto. I was lucky to produce/engineer/mix a song for a kick-ass group described as "hardcore-adjacent" that have been on tour all over the U.S. I spent a day producing a song with a loveable artist with Down syndrome. I had tracking/producing sessions with artists doing lush cinematic, dark country music; an Australian-born country songwriter who delivers mail and does bareback bronc rodeo riding; and a drum machine-powered group inspired by edgy "alternative" '80s music. There was even six days of fun dub mixing with a repeat client. The sheer variety of styles I get to work on, and the different people I meet, is fascinating. But, most importantly, these are the aspects of being involved in this career that I still really enjoy.
When I quit my day job 31 years ago, one of the issues that forced my hand was the sheer boredom of the day-to-day repetition. I think back now to years spent working in food service, and it's hard to recall the actual work. Peeling potatoes or mopping floors wasn't the most stimulating part of my day, however jumping in my van to go play a show was the payoff. I no longer play music out, or own a tour van, but getting to work on a wide range of music with all sorts of unique folks remains a constant joy. Applying my skills to different styles always yields new results. Additionally, learning how to solve new problems in the studio makes me feel like I've gained a new skill and that I will continue to have more to offer.
I love producing, engineering, and mixing. But, at the end of the day, it's really the people and their songs, as well as all the variety therein, that makes me excited and keeps me involved. I feel lucky that I have found this life and career!
